Sifting through various types of music, artists and sounds, consumers characteristically choose songs and instrumental pieces which appeal to them with the effect that the stylistic boundaries existing between the latter become rather less important than the meaning which the chosen body of music as a whole assumes for the listener. Bennett, for example, argues that music tastes tend to have as much to do with individualized processes of selection and meaning as with collective normative systems: While acknowledging some kind of stylistic organization to the range of floating artefacts, such descriptors seek to move away from the fixed, consistent and clearly bounded sets of looks and sounds implied by traditional subcultural theory. Please note that the following extract is taken from a pre-publication draft and does not include minor changes made prior to publication.įrom Chapter 3, ‘Goth as a Subcultural Style’…Īn acceptance of this notion of the breakdown of clear distinct styles pervades the reasoning of some of those who seek to replace the notion of subculture with terms such as neo-tribe, scene and lifestyle. Identity, Style and Subculture from Amazon Identity, Style and Subculture, Oxford, Berg.īuy Goth. Identity, Style and Subculture, by Paul Hodkinson. Readable and accessible, this groundbreaking book presents a unique chance to engage with a contemporary, spectacular culture.Extract from Goth. Defying postmodern theories that claim media and commerce break down substantive cultural groupings, Hodkinson shows how both have been used by goths to retain, and even strengthen, their group identity.Hodkinson provides a comprehensive reworking of subcultural theory, making a key contribution to the disciplines of sociology, cultural studies, youth studies, media studies, and popular music studies. From dress and musical tastes to social habits and the use of the internet, Hodkinson details the inner workings of this intriguing group. Immersing us in the potent mix of identities, practices and values that make up the goth scene, the author takes us behind the faade of the goth mystique. Based on extensive research by an 'insider', this is the first. Until now, no one has conducted a full-scale ethnographic study of this fascinating subcultural group. The dedication of those involved to a lifestyle which, from the outside, may appear dark and sinister, has spawned reactions ranging from admiration to alarm. Goths represent one of the most arresting, distinctive and enduring subcultures of recent times.
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